- See post on this website, "Poetry Explication." Copy and paste into a Word document, print, and keep in your binder.
- Read pages 169-190, "Writing about Poems." Take copious notes in your binder.
- Read and take notes on the following poems. Keep the notes in your binder: "Those Winter Sundays" (384), "My Papa's Waltz" (385), "Let me not to the marriage of two minds" (516), "Bright Star" (517), "How Do I Love Thee" (518), "Tell all the truth but tell it slant" (736), "Much madness is divinest Sense" (736), "Incident" (894), "What Work Is" (900), "Punishment" (905), "When Death Comes" (1115), "Death Be Not Proud" (1117), "Because I could not stop for death" (1119).
Zora Neale Hurston, an important voice of the Harlem Renaissance, was an American folklorist, anthropologist, and novelist best known for her work, Their Eyes Were Watching God. Sadly, she died in 1960 after suffering financial and medical difficulties. In 1973, Alice Walker, another famous American writer, "rediscovered" Hurston and promoted her body of work. In the classic essay, "How It Feels to Be Colored Me," Hurston explores the idea that all of us have multiple selves, depending upon the context and environments in which we find ourselves. Hurston's writing has an ebullience, self-assertiveness, and pride that is particularly evident in this text. She was a flamboyant and dramatic personality, at times clashing with fellow writers from the Harlem Renaissance, who believed that black Americans should use their art to speak out against racial oppression and the white majority. Hurston chose not to align herself with the political ideologies of ot...
