- Did the writer use proper MLA format--double-spaced heading; header in same font and size as essay text; centered title--12 pt., no bold, quotation marks, or underlined?
- Is the essay written in the literary present tense throughout?
- Is the essay double-spaced throughout with no extra space between the heading and title, or the title and the body of the essay?
- Is there no extra .5 space in the lines of the heading or between paragraphs?
- Does the essay have a strong introductory paragraph with a clear, narrow, specific, focused thesis statement?
- Does the author refrain from analyzing or elaborating in the opening paragraph?
- Are the names of the authors being discussed and the titles of their works (in the appropriate format) mentioned in the introductory paragraph?
- Does the essay have a strong, focused voice?
- Does the essay stick to the narrow thesis with no digressions?
- Are all parts of the essay as clear and specific as needed? No vague or confusing statements?
- Do the body paragraphs begin with the student's own sentences (no beginning quotes)?
- Does the essay include quotes (words and phrases; no long quotes) with proper citation and format in the body of the essay?
- When a quote ends a sentence, is the period after the parenthetical citation?
- Are the body paragraphs substantive (usually seven or eight sentences)?
- Does the essay include mostly the student's own ideas, analysis, explanation (not too many quotes)?
- Does the writer analyze (explaining why and how the writing is effective) and avoid summary (simply telling what the writer does with no analysis)?
Zora Neale Hurston, an important voice of the Harlem Renaissance, was an American folklorist, anthropologist, and novelist best known for her work, Their Eyes Were Watching God. Sadly, she died in 1960 after suffering financial and medical difficulties. In 1973, Alice Walker, another famous American writer, "rediscovered" Hurston and promoted her body of work. In the classic essay, "How It Feels to Be Colored Me," Hurston explores the idea that all of us have multiple selves, depending upon the context and environments in which we find ourselves. Hurston's writing has an ebullience, self-assertiveness, and pride that is particularly evident in this text. She was a flamboyant and dramatic personality, at times clashing with fellow writers from the Harlem Renaissance, who believed that black Americans should use their art to speak out against racial oppression and the white majority. Hurston chose not to align herself with the political ideologies of ot...